Thursday, November 18, 2010

Cast Member Blog - 1001 - Nick Walsh

Thanks to everyone that came out to see last weekend's run of the show! Unfortunately it's your very LAST CHANCE to see 1001 this weekend, Blogfriends! It's also your LAST CHANCE to purchase season subscriptions! [Buy tickets and subscriptions here.]

Don't miss out on this epic, twisted fantasia. I mean, it has bellydancing, beheadings, behandings, and more. What more could you want from a show?

An epic storyteller himself, let 1001 cast member tell you the tale of his journey to the stage in this week's Cast Member Blog.

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[Editor's Note: This blog was written about two weeks ago. Just so nobody gets confused, the show is playing through the 21st.]

I’m not exactly the typical theater student. I’m a “Secondary Education – English” major, which is really just a fancy term for me wanting to be a high school English teacher. A love for the written word—rather than the spoken word—has blossomed in me ever since I got past my first college composition class. I only took my Acting I class at the recommendation of my advisor, as I needed an art credit and some theatrical training is generally considered a bonus when you’re a teacher. Not to mention that I had done theater in high school.

Fast forward to earlier this semester. I was in my theater class, having a lot more fun and learning a lot more than I thought I would after 4 years of theater in high school in an entry level class. Kasi Campbell, my teacher, was a lot of fun to work with and I was enjoying myself immensely. A few weeks into the class, she mentioned that the Arts Collective and HCC's Theatre Program were putting on a show, 1001, that she would be directing. She said that auditions were that week. Kasi mentioned that the show was unusual and, remembering high school theater and thinking to myself that it couldn’t hurt to audition for the show, I was intrigued and decided to audition.

I hadn’t done an audition in 4 years. Contrary to what you might think, the audition felt extremely natural and familiar to me; I felt myself slipping back into the actor’s mindset, something I’d avoided for four years. I auditioned for several parts that day, and they all felt natural to me. As I auditioned for character after character, I found myself selfishly thinking that I wanted not just A role or ONE of these roles, but ALL of them.

Turns out, I wasn’t too far off. Of the 6 roles that I auditioned for, I got 4 of them. Funny how things work out, huh?

Rehearsing 1001 has been bliss. I’ve been blessed with a cast that is funny, VERY talented, friendly…and, just maybe, has welcomed me into the fold. In Kasi I’ve found a director that I can argue with, who lets me try things, and who critiques me constantly. These are all exceptionally positive things. My own roles are truly challenging, and will be even better in a week when we open, but I doubt they will ever be complete.

This show is my triumphant return to the stage, after 5 years. I’ve thrown my everything into this play. If you want to know me, see this show.

We’re now going into tech week, a mysterious dark void from which there is no escape. When it finally spits us out again in a week, we will have been forged into something truly amazing.

Come see the show.

Thank you for your time.

Tuesday, November 16, 2010

Cast Member Blog - 1001 - Aaron LeKarz

It may be a dark, rainy Tuesday, Blogfriends, but I have something to brighten your day: a Cast Member Blog! This blog, from cast member Aaron LeKarz, is a look at the historical background of 1001 and some of the background behind the more belief-driven themes of the show. Oh! And there's a Delorean.

Don't forget to purchase your tickets for 1001's closing weekend, this Thursday through Sunday. Buy early and buy often as seating is limited! You can purchase tickets here.

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As I walked into the auditions for "1001" there was definitely a sense of awesome in the air. Many former cast-mates from tempODYSSEY (February 2010) were among those trying out, as well as an influx of new talent and faces with wonderful theatre backgrounds. Probably one of the more memorable moments of the casting process was my misreading of a script direction to play a role as "Vincent Price" (the voice-over for Thriller) which I confused with "Vincent Offer" (notorious TV salesman). Needless to say, a typical phrase for me to hear from Noah Bird (Shahriyar/Alan) before going on is "slap chop it up."

Besides having an amazing cast full of diverse actors and acting styles, the entire plot and production of "1001" is a mystical unfolding itself. The story, which bleeds reality and fiction in a sort of Delorean-full-of-Arabian-history-books kind of way, is both as amazing to be a part of, as well as fun to watch. It also brings to life many of the real conflicts of the Middle East, through interactions in the "present day" portions of the story. I think many people will see the show and then begin to wonder what parts of history are true, and which were preserved based on bias or popularity.

In fact, even in our current society, one of the biggest conflicts we have is, unknown to many, a difference in historical perspective. You see, both the stories of Islam and Judaism start essentially identical. God creates the world, Adam and Eve are the first human beings and on and on. Until you get to Abraham. See this is where the lineage takes a sharp split, one which has cost more lives throughout time than any other historical conflict. In Jewish history, Abraham awaiting a son to be his heir makes a decision which sends a rift through human history.

Abraham's wife Sarah had been barren for most of her life, so Abraham decides (according to the Judeo-Christian view) that he must sleep with a concubine (Hagar) and thus produce an heir, Ishmael. Later, after three angels appear to Abraham and tell him he is to have a child with his wife, Sarah bears a child, Isaac. According to the text, Abraham is 100 years old when this happens. Therefore it isn't actually as rushed as some may have thought for him to have a child with a concubine to be the heir to his nation. Isaac later has several children, one of who, Jacob, becomes known as Israel, whose lineage was God's chosen people.

Now rewind. Imagine that you took the right of "firstborn" to imply the actual first born of Abraham and not the first born of his first marriage. According to Islam, Ishmael had these rights. And as such the infamous sacrificing of Abraham's son to God to show his loyalty would have been Ishmael instead of Isaac on the altar. For those who might not know, he ends up sacrificing a lamb rather than his son, and the son of the story's choosing goes on to become the start of the Jewish or Islamic (known first as Arabian) Nation.

Many people disassociate the conflicts in the "infamous" territory of Gaza with a land allocation from World War II, or the attempt at a cessation of fighting. But truly the battles in Israel have been going on since the times of Isaac and Ishmael, with both the Qur'an, the Bible, and other historical accounts at least agreeing that fighting for territory had always been going on. It is almost silly to think of ideals like peace in the Middle East, because truly short of the second coming of Christ or the islamic Last Judgement neither side would have the interest in throwing their version of the past five thousand years in the fire. Even more, I would be doubtful if, even in the face of whichever the "true" God may be, that even those with opposing viewpoints would clutch onto whatever version of history they have believed their whole life; people are more likely to want to die believing in something than thinking they died having lived in vain.

Thinking about the infamous historical conflict created by a seemingly simple historical detail like "who is the true descendant of Abraham" really comes full circle in a play like "1001" where you get to see both sides of the story told and untold. Ideas of time, history and places being linear dissolves into the thought that maybe all these things are cyclical, continuous or maybe even indescribable by our current natures of understanding. Needless to say, if you are looking for an outstanding play that will make you think about the nature of storytelling and it's part in history, then be sure to see 1001, where you will find the ideas around storytelling unfold in both entertaining and thought-provoking ways.

DISCLAIMER: The views and opinions expressed in this blog are those of the author and do not necessarily reflect the opinions of the Arts Collective at HCC.

Friday, November 12, 2010

cast Member Blog - 1001 - Naomi Place

They did it, Blogfriends! [Cue the confetti cannon.]

Last night, the cast and crew of 1001 finally had the pleasure of letting the outside world into the fascinating and complex world of Jason Grote's fantastic play. Of course if you missed it last night, you still have 7 more chances to see this show, however seating is limited and tickets are selling fast, so buy them now. No seriously. Now. Here.

Now of course opening night and inviting the audience in for the run of this show is, in many ways, what theatre is all about; this production, however, has been months and months in the making. As a treat for you, Blogfriends, and in thanks and gratification to the incredibly talented folks who have worked so hard on this show, I present to you today's 1001 Cast Member Blog. Join cast member Naomi Place as she takes you on a journey to the journey of 1001. Too meta?

Take it away, Naomi...

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Hello! My name is Naomi and I am a featured belly dancer and ensemble member in 1001. Although this is my first experience participating in a performing arts production at Howard Community College, I am not by any means new to the stage.

As you may know, the play 1001 is about storytelling. Whether the story takes place in the past, present, or future is irrelevant (as playwright Jason Grote has shown in this work). I wanted to use this entry to tell a little story about the demands of a performance of this caliber, and about the outstanding crew who is organizing it, as they simply are the backbone of this show.

Each individual scene is blocked and meticulously tweaked by our amazing and extremely patient director, Kasi Campbell. Dancers attend an additional 2 or more rehearsals per week to learn and polish choreography. The entire cast meets together at least 3 times a week (for a minimum of 3 hours) to run through the show in its entirety. The average cast member contributes 20+ hours per week to rehearse this play. Add to that the fact that we are all full time students, and many of us are involved in concurrent productions, and/or have jobs, children, pets, et cetera.

Our crew is the best. Not only do they put in the time and dedication as the cast does, but they help organize everything from schedules to sets, costumes, music, props, audio-visual and more. For me personally, one of the greatest pleasures has been to work with stage manager Erin Drum. She has shown to be the most level-headed, patient, and organized professional I have worked with in quite some time. I’m sure the entire cast will agree. Thank you Erin!

The story I tell may not be the most exciting one, as it happens behind the scenes where no one is looking; however, it is one of the most important, and it needed to be told. I hope you, your friends, and family make it to the play and get to see how our phenomenal crew has perfected the task of making something so challenging, look simple and beautiful! See you there!


Thursday, November 11, 2010

Cast Member Blog - 1001 - Brianna Freeman

Today is the day, Blogfriends!

Tonight at 8 p.m. in the Horowitz Center's Studio Theatre is the premiere of Jason Grote's 1001, a post-modern re-telling of Arabian Nights. The show centers on the characters of Shahriyar--a Persian king that marries women from his kingdom, consummates the relationship, and then beheads them so that he can marry a new woman the next day-- and Scheherazade--one of the last women left alive in the kingdom, who is determined to save her people and stop the maddening cycle.

1001 is a fascinating, labyrinthine tale that will take you on a twisting journey to the heart of storytelling itself. Tickets can be purchased online here, or at the Horowitz Center Box Office.

Now as you wait for your credit card information to be accepted, check out today's Cast Member Blog from Brianna Freeman! See you tonight!

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Hey everyone!

It's Brianna, and I am thrilled to be in my 2nd Arts Collective production. I was last in On Broadway, a musical theater review, and now I'm in AC's next show, 1001!

When I first heard 1001 was a straight play [as opposed to a musical] I was simultaneously excited and terrified. I am very familiar with musical theater, but not as familiar with straight theater, so I knew I was getting myself into a very different experience.

The 1st rehearsal was so interesting because it was so different than anything I have ever experienced in any production. We sat in a circle and Kasi asked everyone how we thought the different characters fit into the story, so I thought to myself oh this should be easy, I read the play. I was completely wrong. Everyone had such deep interpretations of what they thought the themes of the story were, and how their characters contributed to theme. That's when I knew I was going to get an amazing experience; in musical theater the meaning of the story is right in front of your face, but with straight theater I've found that the story always needs to be interpreted through the performers. I am honestly learning so much about theater and interpreting a story by being in this production.

When first reading this script you do not really get the full understanding of what this story really is, but under Kasi and her amazing direction this story really comes alive on the stage. I hope everyone comes to see 1001 because this story, cast, crew, set, and even dancing is incredibly amazing . So come and enjoy this story with us, starting tonight, and playing through the 21st!

Friday, November 05, 2010

Cast Member Blog - 1001 - Kyla Hammond

It's November, blogfriends, and that can only mean one thing: "In November's gusy gale I will flop my flippy tail and spout hot soup--I'll be a whale!" "Chicken Soup with Rice," by Carole King, anyone? No? Ok, well beside that, November also means that it's time for our big fall production of 1001, a dark, post-modern re-telling of The Arabian Nights. 1001 opens November 11 and plays through the 21st. Purchase your tickets here, and RSVP on Facebook here, and then meet me down at the next paragraph.

Whoo, buying your tickets was quick and easy, right? And good thing you got them now, too, as seating is limited. Anyway, now for today's Cast Member Blog written by Kyla Hammond, who plays two characters in 1001... except in this case you're supposed to see the resemblance for both the characters. But that gets into possible spoilers, and, well... read on to find out what Kyla thinks about spoilers, along with how the rehearsal process has gone thus far!

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Hey guys!

This is the coolest thing: writing a blog for alll to read! I'm having such a good time with 1001. I am playing Maridah, who has an amazing yet challenging speech impediment. That alone has me reading and re-reading, just to perfect it. Thanks Shawn [Naar, fellow cast member and scene partner] for loving me despite my speech issues. I am also playing Juml, who kind of pulls my part of this tale together. That's all I'll say though, no spoilers here.

Being a part of this project has given me the chance to get to know so many funny and interesting people. This is my extended family for a while, and I couldn't ask for a better one. My first rehearsal was extremely productive; within those three or so hours I learned and memorized a great portion of my lines and was pushed in many different ways by Kasi [Campbell, director] who has been great.

Wait for it...i lied. SPOILER ALERT:Bellydancing. Bellydancing. Bellydancing. Uhh can I quickly say that belly dancing is something I've always wanted to do and now get the chance to receive free lessons with some amazing ladies * cough cough* SAM [Mauceri, fellow cast member]! Haha! Put it this way: 1001 is the new red.

Wednesday, October 27, 2010

Meet W.I.G.! What Improv Group Halloween Show - for Grown-ups! Friday, October 29

Trick or Treat, Blogfriends!

Halloween, which is possibly this blogger's favorite holiday, is coming up this weekend! [Editor's note: I am desperately in need of costume ideas, if anyone has anything good.] More important than even Halloween, however, is this Friday's What Improv Group (W.I.G.) Halloween Special - for Grown-ups!

Although I'm sure you already know this, improv is all about the creation of characters and "scenes" on the spot, often with suggestions from the audience. While often comedic, scenes can be scary or dramatic, etc. as well. This Friday at 8 p.m. in the Horowitz Visual and Performing Arts Center's Studio Theatre, W.I.G. will explore all the facets of Halloween, from the hilariously irreverent to the skin-crawling creepy, and everything in between. You can buy tickets here, become Arts Collective's Facebook friend and look at some more rehearsal images here, and you can watch a jack-o-lantern man dance to a Ke$ha song here.

To prep for an evening of Halloween-themed improvised exploits, I asked the cast and director of W.I.G. some questions about the spooky holiday and the show itself:

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What is your favorite past Halloween costume?

Sarah Brodine, Ensemble: When I was a kid I wanted to be Marylin Monroe one year, with the red fingernails and the lipstick and the hair. My mom was helping me to make my hair Marylin perfect, and she actually burned me with the curler by accident. Obviously I got upset by this and started to cry, but my mom told me to stop because I would ruin my make-up. We also made boobs out of socks. Unfortunately, by the end of the night my boobs were around my stomach.

Stefany Thomas, Ensemble: The blue ballerina costume I wore when I was six. I wanted the red ballerina costume but it was too small. So my younger cousin wore it instead. I would love to be a blue ballerina now. Lol. As blue is my favorite color.

Candace Cooper, Ensemble: I think my favorite costume was probably the year i was a genie- actually i think that year my sister and I had the same costume but i thought it was the coolest little costume and it had pink slippers to match!

Daniel Johnston, Ensemble: I remember trying to shred some old jeans one time because I was doing a makeshift zombie outfit (this was before I'd ever done any costume designing) and so i took a blunt box cutter to them . . . either way, the pants ended up with completely straight cuts going down the sides as though a cat had gotten hold of them. So then I just took another pair outside and got them dirty.

Favorite Halloween memory?

Candace: I think my favorite Halloween memory is when my siblings and I were young, my father would take us trick-or-treating and he would where this striped sweater and hat that resembled Freddy Krueger's. My dad never watched horror movies really so he never really got it when kids were like, "ah man you look like Freddy! that's so awesome!"

Melissa Paper, Ensemble: When I was around 12 or 13, I decided to play Ouji board with a bunch of friends. My dad decided to flip the circuit breaker to make the lights go out. The next thing you know everyone runs out of the room freaking out. The adults pretended not to know what was going on, but when I caught my dad laughing later, I realized it was him. It was a good time.

Susan G. Kramer, Director: I grew up in a typical suburban neighborhood in Arbutus. Typical with one exception... a few houses down the street sat a haunted mansion way up on a hill. To approach the house, you had to go up two hundred steep brick stairs, walk down a long brick sidewalk which led to even more stairs... to the giant front porch. My friends and I KNEW this house was HAUNTED... 1). it was a mansion! 2). we never once saw ANYone who lived there... EVER... mowing the lawn, nothing! Year after year we dared each other to knock on the door on Halloween night! We never had the guts, until one year. A dozen or so 10 and 11 year-olds took a collective deep breath and began the journey up those dark stairs, cackling and panicking at the same time. Finally, FINALLY we knocked on the door! When the giant door creaked open, these screaming creatures (in costume) came at us from all sides... from inside the house, from the bushes! My friends and I were frozen in our footsteps until one kid eeked "RUN FOR YOUR LIVES!!!" And oh we ran... shrieking and crying and laughing the whole way home! It took us days to recover! By the way, the second the door opened, I was able to see inside the house... they were having a party. And the people who lived there? Hippies. Then I felt all cool because I lived down the street from hippies.

What's your favorite thing about Halloween?

Matt Winer, Ensemble: I absolutely love being scared. Going to haunted houses and corn mazes, watching horror movies, and seeing people in costumes just makes you that much more suspicious of any little noise or movement. Like that strange noise coming from RIGHT BEHIND YOU.

Chris Adams, Ensemble: Pretending to be someone else. The creative freedom; since you don't have to conform to someone else's social norms, you can pretty much do what you want.

Do you have a favorite ghost story or urban legend?

Daniel: I'm a big fan of "there's someone in the backseat!" But nothing is more terrifying to me than "the calls are coming from upstairs!"

What's your favorite scary movie?

Matt: It's definitely a tie between the Nightmare on Elm Street series and the Scream trilogy (soon to be a quadlogy!) Both series have the ability to make you LOL (that's laugh out loud) one moment and PYP (that's pee your pants) the next. I like a good morbid sense of humor.

Susan: THE EXORCIST. Without question! I was a "child" when this film came hit the theatres... and ohhh, it hit those theaters with more warnings and hub-ub than I ever remember (back then). The media reported those who viewed the film were forever changed and even placed into madness!!! It was CRAZY! Then, when I viewed it for the first time, at the Hollywood Movie Theatre, in Arbutus, the walk home with friends after was unnerving, very scary. That night. I had to baby-sit. Years later, I still view that film as being so ahead of its time... as well as such a perfect depiction of that exactly era. Beautiful writing, direction, editing... and purity in performances. None will ever surpass this film. (In my humble opinion).

Tom Matera, Ensemble: The Exorcist. Fantastic director, great characters... and the fact that it happened right around my house made it extra cool.

Favorite scary movie villain?

Candace: This is a tough one- I guess I would have to say the unknown or evil in movies like Emily Rose, the Exorcist, and Amittyville Horror the fact that you cant actually see the things that are possessing them or hurting them is what gets me the most!

Daniel: Pamela and Jason Voorhees. One day I intend to marry into the Voorhee's family. Can you imagine Thanksgiving?

Stefany: Leatherface. Lol. He was a psycho dumbass that was too smart for his own good. There was no escaping Leatherface and if you thought you were in the clear you were "dead" wrong.

What scares you?

Matt: When it comes to scary movies, anything where there's human beings inflicting terror on other human beings for seemingly no purpose--or just because they're crazyballs--scares the crap out of me. Honorable mentions go to: bugs laying eggs in one's body, the THX sound that plays before movies, and drowning in a pool of mayonnaise.

Melissa: Jaws. I saw it when I was way too little, 5 or 6, and I was convinced by the time I went to bed that he was under my bed. I was sure that if I had a limb hanging off the bed he would get me.

Chris: Things that come back to life, dead people. You know them, so you don't want to kill them.

Why do a Halloween-themed improv show?

Candace: Halloween is a holiday that people can relate to on many levels I think its a lot of peoples favorite holiday. it's a time to dress up and be silly or scary, perhaps be someone else, and use your imagination. What better vehicle for that then improv?!

Ashanti Cooper, Ensemble: It's fun! Because it's Halloween.

Chris: When you do improv in general, you can explore the truths in life. The same is true for horror movies, which explore the truths of life in subversive, thrilling ways. So this gives you an opportunity to further explore what horror films etc., were saying at the time.

What's been your favorite part of the "rehearsal" process so far?

Stefany: We played a game during one rehearsal where I played an orphan on a train. I truly enjoyed listening to the story and finding a way to tie her into the plot. To me, she was really just a spirit.

Ashanti: Exploring different characters, games, etc. because it opens up a lot of different ideas and lets us play. I think I really enjoyed a scene we did called the Red Room because it was a great story that flowed very well.

Tom: To expound upon what Ashanti was saying, it's fun to get to delve deeply into the characters.

Thursday, October 21, 2010

Cast Member Blog - 1001 - Sam Mauceri

Marhaban, Blogfriends!

If I did my research correctly--which I'll admit may be shaky as it's from Wikipedia and this instructional video on the YouTubes--then I just said "Hi/Hey, Blogfriends!"

Now, I'm not going all Sesame Street on you for no reason; today's 1001 Cast Member Blog comes from Sam Mauceri, and is all about how her once random interest in the Arabic language has helped her when preparing for the show. It's pretty fascinating stuff, so read on, purchase your tickets here, and then head on over to Facebook to RSVP for the show.

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Many people are surprised to learn that I speak Arabic. I am not Muslim; I don’t have any Middle Eastern heritage; I didn’t even have any burning passion to speak it before I started learning it. But now, a few years later, it is part of who I am, ingrained in my story.

Having taken only six semesters worth of Arabic at HCC over the past 2 and ½ years, I am not exactly fluent in Arabic yet, nor would I consider myself proficient in the language. I would, however, say that I speak “a bit of Arabic, with the intention of becoming fluent.”

Visually, Arabic is a beautiful and distinctive language, and whenever I see Arabic writing on a sign or a building, I will inevitably jump up and down, tug the arm of the poor soul next to me, and shout, at an embarrassingly loud volume, “I CAN READ THAT!”

And now, with 1001, I am given the opportunity to do this throughout an entire rehearsal process! Although there is no Arabic writing in the script, there are plenty of transliterated Arabic phrases, terms, and names. And so, while I use only a few Arabic phrases during the course of the play, I have been deemed the pronunciation corrector to the rest of the company. Admittedly, I’m still working on holding back a wince anytime someone mispronounces the phrase ان شاء الله (‘in shah Allah’: God willing).

After years of taking Arabic and theatre classes side by side at HCC, it’s amazing to me that they have actually come together, right before my eyes, to form something that I am so thankful to be a part of. This play is exciting, intellectual, daring, and infused with the Arabic language and Middle Eastern culture and politics. 1001 has an important story to tell, and it is only fitting that much of it is told with Arabic.

Wednesday, October 20, 2010

Cast Member Blog - 1001 - Noah Bird

As the curtain closed on On Broadway this past Sunday--which, just so you know Blogfriends, was successfully sold out for three out of four performances!!!--Arts Collective took a second to celebrate and relax... and then jumped right back into work on the rest of our season!

Coming up next month, November 11-21, is our big fall production of 1001 by Jason Grote. 1001 is a dark, post-modern retelling of The Arabian Nights, among many other things. You can buy your tickets NOW by clicking here. Today's cast member blog is from cast member Noah Bird. Read on to find out more about how he relates to his characters, as well as the importance of doing this show "in the round."

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My name is Noah Bird and I'm playing Shahriyar, a Persian king, and Alan, a young Jewish man. Personally, I'm 1/4 Lebanese and was raised half my life by my stepfather--a Jewish man from New Jersey--so I can't help but feel a connection with both my characters, distant though they may be. Furthermore, the Arab name that was my grandmother's maiden name means, "The Loved One" (I know how to pronounce the name I just don't know how to spell it). I find this interesting because, in my opinion, Shahriyar's biggest hang-up is that he just wants to be loved deep down, which is where a lot of his drive comes from to do the things he does.

On another note, this is the first time I have ever done theatre in the round. [Editor's note: theatre in the round is when there is audience seating almost entirely around the stage area.] I've found it very interesting, the things that need to be taken into consideration prop-wise, blocking-wise and set design-wise. I really feel that doing it in the round is an excellent choice, and only makes more and more sense the more we delve into the ever-spiraling themes and stories that occur throughout the play. Another thing about doing it in the round, and this is just occurring to me as I write this, is that it will make the actors feel more like we are "trapped in a grand narrative" as Dahna--my character's love interest-- describes, walled in by the audience on all sides. It is revelations like that that make me love this play because it is always forcing our minds to run in circles searching for more answers.

Wednesday, October 13, 2010

Cast Member Blog - On Broadway - Becca Ballinger

Sing out, Blogfriends! Tonight is the opening night of Arts Collective's On Broadway: A Musical Theatre Revue. Spanning over 80 years of Broadway's most mesmerizing pieces, On Broadway is... well, let me put it this way: I'm admittedly not the biggest fan of musical theatre, but I've seen the show twice already, and will be there for each and every show this weekend. The singing is fantastic, the dancing is fun and sexy, the acting is honest, and the lights and costumes work together to make eye candy tastier than anything Willy Wonka could dream up. There isn't a single area in which this show falters. And coming in at around a mere 90 minutes, I guarantee you'll wonder where the time went as the house lights come up. If you haven't bought your tickets yet, I recommend doing so RIGHT NOW, as tickets are going quickly for this one-weekend only extravaganza! Basically, what I'm saying is that I promise you, this will be one of the best (if not THE BEST) piece of musical theatre you'll see anywhere this year. Oh yeah, I said it.

Ok, I've gotta go take a trip down ol' Broadway, but while you wait for the show to start, might I suggest our final (sadface) cast member blog for the show? Cast member Becca Ballinger is on hand today to explain why tradition is so important in musical theatre, and how to build on that tradition to make a show like the audience has never seen before... kinda like On Broadway. Huh, imagine that! Take it away, gurl.

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Lights fade on “Rockette” kick line. After the company has exited—mirror panels to black—the house lights slowly come up. . . There are no additional “Bows” after this—leaving the audience with an image of a kick line that goes on forever.

This was my father’s least favorite part of Arts Collective’s production of A Chorus Line last fall. Numerous heated debates about this final stage direction have occurred between my dad and me. “The kick line is what the show is famous for! It’s magical!” I yell. “You guys didn’t get the praise you deserved because the audience didn’t know the kick line was considered the bows. Not to mention band wasn’t even acknowledged and they were great!” he retorts. “Well, that’s just the way it’s done.” And that will be that.

I’m the only person in my immediate family that is active in the theatre arts, so you can imagine how frustrating it can become when the beauty of tradition goes unappreciated. I’m a strong believer that if something as legendary as Chorus Line’s kick line or Fosse’s isolations exist, then it is sometimes necessary to stick with tradition. If something is renowned for its excellence, why mess with it?

Now don’t get me wrong, in theater there is always room to make something “your own,” and nothing compares to the creativity of a true artist. One should always add a personal flair to their work. It’s a very tricky process, but once you reach that perfect blend of new and old, it’s really something extraordinary.

In On Broadway, we are staying true to a lot of the choreography and style of the original Broadway productions. But thanks to the pure genius of our choreographers, this revue is turning into a fine, one-of-a-kind hit.

A great example of reaching that “perfect blend” is presented in the number “Razzle Dazzle,” choreographed by the fabulous Jill Grabau. My mind was blown with what this girl came up with! No, seriously. I was squealing every time we learned a new step. While the Fosse style was very present in her choreography, it was 100% Grabau. (Okay, so one move was inspired by the movie, but what else can you do when the lyrics are “Roar! Roar! Roar!”?)

You really do not want to miss out on the gorgeous gift this cast and crew is bringing you. Get your tickets now! (And you should probably subscribe while you’re at it.) See you this weekend!

Tuesday, October 12, 2010

Cast Member Blog - 1001 - Adrianne DuChateau

As you may have heard, Blogfriends, our big fall production of 1001 is already in rehearsals, preparing to open November 11, 2010. 1001 is a postmodern retelling of Arabian Nights; a dark fantasy with more layers than a Mexican dip; a storytelling fantasia with political and comic overtones. In other words, it's something you need to experience. Remember, you can buy tickets already at the Horowitz Center Box Office, or online by clicking here.

As usual, I've got a great blog for you today. Written by 1001 ensemble member Adrianne DuChateau, Adrienne shares her journey through the 1001 casting process. Hit it, Adrianne.

I signed up to audition for 1001 the very last day of auditions. I grabbed a copy of the script and read as much as i could for twenty minutes, then nervously rushed to the Smith Theatre. I knew no one, and had no clue what to expect, but I lucked out because I had the most comfortable audition experience imaginable. I went in to read scene after scene, and was actually having fun with it. I remember wanting to learn more about acting, and how I could make even better choices. By the end of the audition, I had had a positive experience and really wanted to be in the show.

After the audition I went home and immediately lost the little slip of paper that had information about callbacks. I searched vigorously for a moment then moved on, hoping I would receive that call. I did, and realized I was scheduled to work for the time of the callbacks. A really stressful shift at work took place the night before callbacks. I kept trying to find someone to fill in for me. The trouble was, everyone was already scheduled to work on a Friday night! Finally, the managers cut me some slack and let me take the night off. They said I had better do well if I'm gonna be missing work.

Once I was free to attend callbacks, I looked over the scenes nervously, and went for it. Everyone was wacky and fun. I remember thinking that no matter who plays these characters, everyone working together will make it a great show. I got the call a couple days later and learned some glorious news! I was cast in the play. So thats that. My freshman year of college and I've gotten into my first, hopefully not my last, show. I'm excited to perform with everyone!!! I'm sure I'll learn a ton from it.

Cast Member Blog - On Broadway - Kami Elrod

The countdown is on, Blogfriends. The first show of Arts Collective's 16th season, On Broadway: A Musical Theatre Revue, is only three days away! This lucky blogger was able to see last night's run of the show, and let me tell you... it's some of the most fun, incredibly entertaining, visually stunning musical theatre I've seen in a long time. Tickets are selling fast, so click here and buy your tickets now!

For your reading pleasure today, we have a fantastic blog from cast member Kami Elrod. Read on to learn more about Kami's audition, her introduction to the world of musical theatre by her grandmother, and lots of Kami talking to herself.

The words dizzy, nauseous, and completely petrified do not even begin to describe how nervous I was as I got ready to sing for my On Broadway audition. There I stood, square in the middle of the big dance room, in front of the row of people who would soon decide whether or not I would be a part of this production, or if I would simply be watching it among the other audience members. Hands literally shaking by my side, I remember starting to sing my audition song choice of “If I Loved You” from Carousel and thinking, ”c’mon Kami, for goodness sakes dude pull yourself together! CRAP here comes the high note…”

If you’ve ever had one of those moments where you do something and then immediately want to pound your head chanting “stupid! Stupid stupid!” you’ll know exactly how I felt as I walked out of that audition room. I had sung that song a million and one times, and I had let my nerves get the best of me. I realized that probably most of the reason I was so utterly nervous, besides the fact that I NEVER let people hear me sing, is because I wanted to be a part of On Broadway more than anything.

When I first found out about the upcoming On Broadway production, I pretty much had a jump for joy session. Singing and dancing had always been huge passions in my life, and here was a production that not only had both, but was also dedicated to the classic unforgettable Broadway songs and performances throughout the decades. I knew I wanted to be in this show. BADLY.

Thanks to my Grandma, I grew up on oldies and Broadway music. My first play she took me to was at Toby’s Dinner Theater. After that first night of listening to Dorothy and her gang sing about following the yellow brick road, several other plays followed over the years. Oklahoma! The Sound Of Music, Phantom of the Opera, Beauty and the Beast, and the countless other plays she took me to I completely fell in love with.

After she passed away, her music still lived on with me. Along with an insane amount of Broadway songs, composers like Frank Sinatra, Patsy Cline, and Perry Como took over my ipod. Songs from a time when music was so completely different from today’s latest K$sha or Lil’ Wayne pop hit. Don’t get me wrong, I enjoy busting out to “Your Love Is My Drug” as much as the next American teenager, but Broadway, 50’s and 60’s music will always be my most beloved songs, closest to my heart.

I must have replayed my audition that day in my head a hundred times, going over what I wished I could change about my performance, and hoping that they would give me another chance to come back and audition again. So when I finally got a call from the wonderful On Broadway producer, Sue Kramer, asking if I would like to be a cast member, I pretty much had a joyous freak out of sorts that I could only compare to a bunch of pre-teen girls getting a chance to meet Edward Cullen from the Twilight saga…

Now, weeks later of practices and meetings (not to mention sore feet from trying to perfect that one tap number move I cannot for the life of me seem to get down [Editor's Note: This blog was originally written back in September, so I know Kami's gotten that move down!]) I am still just as ecstatic to be a part of this show as I was the day I got the phone call.

Thanks to our fabulous choreographers Jenny Male, Jill Grabau, and Sarah Brodine (all of whom I’d like to give a big “thank you for all your patience with me and my goldfish-like memory” shout out J ) the dances are absolutely AMAZING. The songs are fun, sassy, full of passion, and mesmerizing. And as for the production, well, you’re just gonna have to see it for yourself now aren’t you?

Wednesday, October 06, 2010

Cast Member Blog - 1001 - Wonsup Chung

Oh snap, Blogfriends! Things are really picking up speed at Arts Collective HQ. Not only do we have the incredible musical theatre revue, "On Broadway," coming up October 14-17 (Buy your tickets now! They're selling faster than "fleas on locusts, according to AC resident photographer Erin Drum. Whatever that means, Erin.) but we're now in rehearsals for AC's big fall show, "1001." To celebrate, we have for you the first "1001" Cast Member Blog! Today's blog is written by HCC student Wonsup Chung, who plays The Eunuch and is part of the ensemble. Take it away, Wonsup...

Part of the reason that “1001” is so interesting to me is because it deals with the issues of nationality and identity that I deal with every day as an HCC student.

I came to America right before last year's snow storms in Maryland. South Korea had had some historically memorable snow storms in the past, so I was so excited to get away from horrible snow. However, even before I got a chance to look around the Columbia Mall and try on an American Eagle jacket, I had to shovel snow. I was pretty much stuck at home every day until I shoveled my way out of the snow.

Since I had been living in Korea for 22 years, sometimes I forget that I am in America and not Korea—until the English signs on the highway remind me. When I first got to Howard Community College for the new student orientation, I felt like I was watching a 3D movie at the movie theater; watching westerners talking to each other was familiar, but being in the same place with them was not familiar, so it seemed like virtual reality. Even though I was sharing space with them, I still felt like an audience member watching a movie screen.

In “1001,” Dahna is a minority who looks at herself closely, analyzing herself in the third person, as if she were an actor on stage. She wonders about what parts of herself are traditional, and what parts are modern. She wonders about how her identity plays out when she interacts with other people at her school. Now, I’m so excited to make a connection between my observations and myself. I can stop looking at my life like a third person narrator, and participate in my own life. I’m looking forward to both living and playing these realities in our performances of “1001.”

Wednesday, September 29, 2010

On Broadway Rehearsal Images!

Life is a Cabaret, my Blogfriends...

Kicking off our 16th season, Arts Collective's musical theater revue "On Broadway" opens in just two short weeks! In anticipation of the big premiere, we've got a special treat for you today. Resident Arts Collective photographer Erin Drum recently snuck into the "On Broadway" designer run and snapped a few shots. What follows are the exclusive pictures, not available anywhere else! Check them out, friend us on Facebook, and then don't forget to visit the Arts Collective website to buy your tickets for this exciting one-weekend only event, October 14th-17th!



From left to right:Vanessa Kinzey, Katie Tyler, Timothy Robinson,

Grace Anastasiadis,Becca Ballinger, JilliAnne Grabau, Kevin James Logan

JilliAnne Grabau, Brianna Freeman, Cody McNeely, Kevin James Logan, Sarah Brodine

Bottom Row: Vanessa Kinzey, Rachel Plunkett, Becca Ballinger,

Keri Eastridge, Kami Elrod, Grace Anastasiadis

Middle Row: Sean Hipp, Sarah Brodine, Brianna Freeman,
Candace Cooper, Katie Tyler, Nick Zients
Top Row: Cody McNeely, Tyler Houston, Timothy Robinson

Katie Tyler, Vanessa Kinzey, Grace Anastasiadis, Timothy Robinson, Kevin James Logan, Cody McNeely



Kami Elrod, Grace Anastasiadis, Brianna Freeman, Becca Ballinger, Sarah Brodine, Kevin James Logan



Brianna Freeman, Grace Anastasiadis, Kami Elrod


Nick Zients, Brianna Freeman, Keri Eastridge, Becca Ballinger, Kami Elrod,
JilliAnne Grabau, Tyler Houston, Cody McNeely, Sarah Brodine, Kevin James Logan


Bottom row: Sean Hipp, Kevin James Logan, Keri Eastridge, Tyler Houston
Top row: Cody McNeely, JilliAnne Grabau, Timothy Robinson, Katie Tyler, Nick Zients


Christine Nelson


Tyler Houston, Christine Nelson


Kevin James Logan, Kami Elrod

Ensemble

Sean Hipp, Brianna Freeman, Grace Anastasiadis, Kami Elrod
Sarah Brodine, Katie Tyler, Cody McNeely

Grace Anastasiadis, Sarah Carlson Brodine, Kami Elrod

Nick Zients

Becca Ballinger, JilliAnne Grabau, Kami Elrod

Candace Cooper

Grace Anastasiadis, Katie, Tyler, Vanessa Kinzey,
Candace Cooper, Kami Elrod, Brianna Freeman

Becca Ballinger

Candace Cooper, Vanessa Kinzey