Monday, April 26, 2010

Cast Member Blog - Sarah Brodine

Oh, hello there, Blogfriend. I didn't notice you. Probably because I'm in some exhaustion-induced fog from the last couple days, as the Angels cast and crew gear up for opening night, which is now only FOUR DAYS away. We are all so incredibly excited to show you all of our hard work, and put on the most incredible show you've ever seen. [While I have you for a moment, don't forget to buy tickets, join our Facebook group, and watch this.]


Now, welcome to another edition of AC Bloggin', with your host, the AC Bloggin' Blog. Today's cast member blog comes to you from the hilarious, lovely, and talented Sarah Brodine. Keep on keeping on to learn everything you ever needed to know about Ethel Rosenberg, Hitchcock films starring Will Smith, and the Teenage Mutant Ninja Turtles. But not the dumb, TMNT CGI kind. The kind in big rubber suits, duh.


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The Opening:


I am a Mormon sister. I am a ghost.


What does this mean, dear reader? Am I a religiously motivated individual with some existential-themed depression? Hardly. Am I one of those odd jobbies that loves posing Matrix-style questions to confuse the general public? You bet! Fortunately, I’m all for spoiler alerts!


Spoiler Alert!: Sister Ella Chapter (the Mormon) and Ethel Rosenberg (Ghost – like of the Jacob Marley/Christmas Carol variety) are two characters in our production of Angels in America. Woah.


The Middle Bits:


What’s it like playing a character that was a real live historical figure? You’re right, its not easy--and yes, “Ella Chapter,” would be a great name for a rock band. In all seriousness though, it took some in-depth preparation to comfortably play the character of Ethel Rosenberg.


Information Insert: I’ll bet the majority of the under 20/generation double-A-battery-types don’t have any idea who Ethel Rosenberg is. Mostly because she belongs to a time period called the 50s (think poodle skirts, malt shops, and “greasers” as seen in the movie…“Grease”), and anything before the 80’s (i.e. Madonna and Teenage Mutant Ninja Turtles), is seen as a vague sort of history lesson that is not applicable to the 21st Century lifestyle. For example, I asked my 15 year old brother if he liked Alfred Hitchcock movies. His response: Yea, Will Smith WAS good in that “Hitch” movie. It is a sad sign of the times.


What I Learned (Some Fun Facts That Aren’t So…Fun):


- Ethel Greenglass Rosenberg and her husband Julius were American communists who were executed in 1953 for conspiracy to commit espionage.


- Both Ethel and Julius, born to Jewish families, lived in New York City and were part of the Young Communist League where they met.


- Julius was recruited by the KGB to spy against the US in 1942 (this is during WWII for all you folks playing the home game).


- Julius learned that David Greenglass (Ethel’s brother) was working on the top-secret Manhattan Project - the codename for a project led by the US and conducted during World War II to develop the first atomic bomb. That’s some serious business.


- Julius Rosenberg and David Greenglass then worked together, offering secrets of the US scientific variety to the Russians.


- When Russian physicists were able to develop their own nuclear weapons by 1949, the West (meaning the US) was shocked at how quickly they were matching the US development of weapons.


- The US began investigations into tracking their own discoveries, to see if and what information was passed along. As Elmer Fudd so eloquently put it: “There’s something very screwy going on here…”.


- To make a long story short, the information exchange was pinpointed to, amongst other people, David Greenglass and Julius Rosenberg.


- David Greenglass testified against his own brother-in-law and sister, stating Ethel would type up documents for the two men and was fully aware of the implications of such documents.


- Despite not being able to produce any documents or produce any concrete evidence that Ethel really was involved in such espionage, the prosecution based their conviction solely on her brother’s testimony.


- There was strong evidence against Julius, but Ethel was wrongly convicted.


- Both were charged with treason and convicted to suffer Capital Punishment.


- On June 19th, 1953, Julius, aged 35, and Ethel, aged 37, were electrocuted in Sing Sing Prison. They left behind 2 children and an outraged nation that felt these people were unjustly made an example of by the McCartney-driven Republican prosecution.


Puzzle Pieces Put Together:


How does Ethel Rosenberg fit into this Angels show, you might ask? Prepare to be dazzled! One of the members of the Angels ensemble--of the lead character variety--is Roy Cohn. Amongst other things, he is a real-life historical figure (just like our girl Ethel) that just so happened to be on the prosecuting team against Ethel Rosenberg. He very illegally and very unethically spoke with the judge of the trail on a daily basis to help convict both the Rosenbergs.


During the play we see Roy in the not-so-peaceful twilight of his life as he is deteriorating from the AIDS virus. Whether he is delusional or just plain haunted, Ethel visits him in his last days – a none-too-friendly apparition.


The End/Finis:


It has been quite a challenge to channel a character with seemingly endless reserves of inner strength and a quiet assuredness, peppered by a Jewish/New York accent. Is she vindictive? Is she someone of substance? Or is she barely-there; a memory, seeped with age and larger-than-life color. These are decisions that only direction and practice can determine.


I imagine her appearing with a sort of glow. Like after a rain fall, all the earth is coated with moisture and when the light reflects off of it, the color and vibrancy is magnified, making you notice and breathe a little deeper and think a little longer than you’re used to. I want to instill that kind of reaction when I appear.


The Closer:


Come see the show!


Friday, April 23, 2010

Cast Member Blog - Gareth Kelly


No beating around the bush today, Blogfriends. We are officially LESS THAN ONE WEEK away from opening night. To say that I'm not peeing my pants right now out of excitement and nervous energy would be... well, it would be true. But emotionally, in a metaphorical way, it's definitely true. If you haven't bought your tickets yet, stop reading this right now and go to our online ticketing website and buy them right now. Seriously, now! Once you've done so, meet me below. I'll wait...

Nicely done! Glad that's out of the way, right? Right. Now onto today's cast member blog! Today's entry comes from Gareth Kelly, a fine young gent portraying the role of one Roy Marcus Cohn. Allow Gareth to take you on a blogospherical journey into his decision to audition forAngels, why you might overhear him yelling "curses!", and his lackadaisical approach to laundry.

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When my daughter was born 5 years ago, I decided to swear off theatre for a few years so that I might actually be home to help raise her. A few years later my son was born. Both the theatre and raising children require a sizable amount of dedication, and it is only now that I am comfortable attempting to take part in a project likeAngels in America.

When Sue [Kramer, Director] called me to inquire if I would be interested in auditioning for the role of Roy, my initial reaction was tepid. Unlike many of you reading this, I had only heard of Angels in America, and I wasn't sure it was the play I wanted to break back in on. Then Sue told me that Al Pacino played the role in the miniseries, and I was sold (not that I let on). Next I found out that Roy was Roy Cohn, an historical figure that I had heard of but knew absolutely nothing about. This really whet my appetite for acting, but by the end of the audition, I was chomping at the bit. I used to curse like a sailor, or at least a delinquent, but with the kids around I find myself saying things like "Dagnabbit!" or my new favorite, "Curses!" By the end of the audition, I must have dropped like 50 F bombs just reading the script. So liberating. That role was MINE. I had to have it.

Luckily, I got it.

That was the first hurdle. I arrived at the first read through full of excitement that I hope I have carried throughout most of the process, but that first night it hit me: This is college theatre. I haven't been here in about 15 years! I'm old!
Turns out I'm not the oldest member of the cast (I'll never tell who is), but the youthful energy and enthusiasm was a bit intimidating at first. In one early rehearsal we had to take our shoes off, and I hadn't had time to do laundry or trim my toenails. So, I'm wearing these holy socks (you know, the kinds angels wear) and anyway...TMI...but definitely embarrassing. I've since trimmed the toenails and retired the socks. [Not that this blogger noticed the original offense, but we thank you.]

The cast and crew have been great though. I have truly enjoyed getting to know and work with every one of them, and to say that and mean it is rare in the theatre. There's usually at least one psychopath. I hope that doesn't mean it's me.

The process has been a journey worth taking with many challenges along the path. Beginning with research on the internet as to who Roy was, what he looked like, what he did. Having Emma as a dramaturg has come in handy on a couple of occasions. Then, there's the Pulitzer Prize winning script. Beyond getting to curse a lot, there's a rhythm and purpose to the words that lend so much to the character. Memorizing the lines has become a particular challenge as a father of young children. There's nothing like testing your memorization while responding to the calls for "Daddy...!", every 5 minutes. Add to that incorporating Sue's invaluable direction into my own (overly?) analytical assessments of the character and script. Another challenge has been finding a way to embrace a character who is my polar opposite in almost every way. Plus, they cut off all my hair! And finally, there is the challenge I now face of surrendering, letting me go and Roy come in whilst not F-ing up my queues or important blocking.

So, it has been a challenging and fervent time for me, but all well worth it. I can't wait for you to see it. We're working very hard. I expect us to make this an experience the audience will remember and value. Hope you can be there.

Wednesday, April 21, 2010

Cast Member Blog - Matt Winer


Hey there blog-friends. We missed you. No really, we did. Things have been VERY busy on our end. As these words are being typed, opening night looms, only a week away. We've been rehearsing and building and painting like crazy, and very soon we will be showing all of you the evidence of our labors. We can't wait. Have you bought your tickets yet?

Today's cast member blog comes from the extremely talented, attractive, intelligent, and all-around incredible Matt Winer. Read on to learn more about what I... I mean he feels about the show, Fantasia, and the meaning of Life.

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Why thank you for that incredibly nice, spot on introduction, mysterious AC Bloggin' Editor. My name is Matt Winer, and I am playing Louis Ironson in our production of Angels in America. Tonight, I've decided to go in a slightly different direction with my cast member blog. Whereas others have posted about their progress in the show so far, I've decided I want to write about the show itself.

As Marketing and Community Outreach Coordinator for the Student Arts Collective--a very fancy name that I didn't make up all by myself--I talk to a lot of different people about either coming to see the show or partnering with us in some way, because I am a very important person. When doing such a crucial job, it's necessary to be knowledgeable about what you are preaching, otherwise people might think you're talking out of an orifice that ain't your mouth. I like to think that when I discuss Angels, I sound like I know what I'm talking about.

However, when people ask me what the show is about, words stumble out of my mouth like a Frat Guy walking down Sorority Row on a Saturday night:

"Well...there's these four kind of main characters and they... I mean the story goes in and out and how they're connected...and the main-ish character, Prior, has AIDS and... I play his boyfriend, Louis, who can't handle it...and then there's some Mormons, and one's gay and the other is a Valium addict...I mean they're married....oh, and then there's an Angel..."

Basically, I sound like an idiot. But I swear I'm totally not. It's just that this particular play covers so many different topics, has so many interesting characters, that it's hard for me as a child of the ADHD generation to pin down the plot in a cohesive way.

Angels in America is about love, hate, loss, politics, religion, sexuality, struggle, hope, and forgiveness. It's about America, and what America represents. It's about god, however you spell it, whatever language you might pray to it in. This play is about people who are lost (don't worry, there's no Smoke Monster). People who are abandoned. People who create fictitious lives out of lies and desperation to escape from the realities they can't handle.

[I think now would be a good time to let you know that the show is actually a comedy, if only a dark one. Seriously.]

But those are just ideas, right? They're just words. But I'm thinking that's kind of the point. Follow me for a second.

On the front cover of the Angels script, it calls itself a "Gay Fantasia on National Themes". Now, if you're anything like me, you got to "Gay" and you thought, well that narrows it down. Why would straight people be interested? And once you got to Fantasia all you could think of were terrifying (this kid was totally a-scared of Fantasia) dancing buckets and brooms and Mickey Mouse channeling his inner Harry Potter. And if you made it to "National Themes" and you're anything like me, you probably thought, "well, that sounds pretentious". And in a way, Angels is a little pretentious, although in a good way, like a really good indie movie.

But mostly, it's genius.

Angels in America is about life. And I don't mean that in a "the beauty of life and living" kind of way. I mean about Life. Purpose. Being. I apologize for getting hippy-dippy with my blog, but I can't help it, I'm a homosexual actor. For every collapse in Angels, there is a new beginning. For every heart-wrenching or tearjerker moment, there's a heart-warming or hilarious moment. Things are messy in Angels. Sometimes it's confusing and you don't know where things will go next. And as I said before, it's sometimes verbose and pretentious, but there are also moments of honest, unspoken humility.

If I might, Angels is kind of like this blog entry. It's trying to explain something unexplainable. It's a verbose attempt to clarify something complex and sometimes intangible. It's less like this blog entry in that it is a beautiful, touching piece of art that everyone really needs to see.

So, did that clear anything up? Even if it didn't, I hope it gave you just enough of an idea to make you need see the show. Because like life, you can't describe what it is with words. You need to experience it. Just like Angels in America.


Friday, April 09, 2010

Cast Member Blog - Daniel Johnston


Two posts in one day? I know, that's cray-cray...err crazy. Sorry, I got a little excited. Anyway we have so many things coming up, we didn't want to hold on to anything, so you're getting a Super Friday Twofer. In today's second (but not in our hearts) blog, Daniel tells us all about the recent designer run, rehearsals, and having our designers as our first audience. Plus, he uses the word "hitherto". Because he's a baller.


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Hello, my name is Daniel Johnston and I play Joseph Pitt in the Student Arts Collective’s production of Angels in America. Last Saturday was our designer run. For those of you who don’t know what that is, a designer run is when the folks who will be designing the show (i.e. Props Designer, Costume Designer, Set Designer, etc.) come and watch a full run through of the play to get a better idea of the show; having seen the run through, the designers can then begin to bring their visions to life.


It was also incredibly helpful for the actors because it was their first full run of the show. Hitherto, rehearsals have been scene specific so that, as actors, we could really dig in and find the true meaning of each scene. I, personally, was having some difficulty beginning a scene that is an immediate follow up to something tragic or joyous that had just occurred. However, upon having a full run through and going from scene to scene, the emotions were able to build throughout the entire piece and I feel confident now that I will no longer have these difficulties.


But enough about me . . . this designer run was made all the more empowering by the support of our designers in the audience, and my fellow actors. Everyone’s energy was so high, and everyone had such great expectations. There was no “phoning in,” as some may say. Everyone gave their all, whether they were on stage or supporting from the audience.


I truly can not wait to run through this show again, and I especially can not wait to see what beautiful things our designers have in mind for us. Whatever these visisions are, I know they will be powerful and moving, just like Angels in America.

Director Blog - Where We Are

Today we have something extra special for you, blogfriends. Student Arts Collective's Producing Artistic Director and the incredibly talented Director of our upcoming staging of Angels in America, Susan Kramer. Sue has taken time out of her busy schedule to write a special note to key us into where both she and the play are, now less than a month until opening night. Read on for her beautiful words.
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And here we are. Back. Our blog is alive, breathing, full of color again. It was time.

And so, now? Now, in our 15th Season, we bravely mount Tony Kushner's ANGELS IN AMERICA.

I have wanted to contribute to this blog since we resuscitated, jump started it... but I seemed to hit the wall. Writers' block.

Until I saw the images here, on this blog, taken during our ANGELS IN AMERICA Designer Run.
And I was left completely, unabashedly... breathless. Breathless.

Suddenly I am no longer speechless. My voice unleashed, inside this blogplace.

Wondering about--and asking you, too--to imagine this collection of actors, this collection of artists, who entered the process from all corners, all walked in imagining this experience would be like none other.

I'm still thrown back to our auditions, callbacks, the choosing of artists. Somehow, it seems, we all ran feverishly toward this text, this play, at this time.

But now, four weeks until opening night, after living with the text for months, we know. Something has changed. The Earth has shifted. And without noticing--until now--somehow this production dances and rests and breathes into something more huge than we've ever, ever known. ANGELS IN AMERICA.

All of us have been swept away by a much greater journey than any one of us knew... or dreamed of. Into the past, the history, these lives... so much research, so much reaching out... to learn about everything inside Kushner's text! Layers upon layers of questions bring even more magic; the NEW questioning. Not just WHAT, HOW it was in 1985... but WHY?! And inside the NOW. Why NOW???

This journey, with these artists... no doors will be left unopened. We stand collectively with cleavers held high, ripping, tearing away at all doors and passages previously nailed shut, barred, slamming... hacking away! Reaching INSIDE THE TRUTH!!! Only then can we fly inside, roll around in it, dance in it, scream, cry, hold it close, hold each other close... and sing inside it all!!! And only THEN? Tell YOU the truth.

The artists in the powerful images posted here... the eyes, the hands, the faces... we are clearly preparing for this, our message. And within this heart, I can see now, we are exactly where we should be. Right now. If these images are taken from a Designer Run... imagine, JUST IMAGINE what another 3 weeks will bring!

That kind of magic is unspeakable. Immeasurable. And this very journey could only be explored with the open hearts and souls belonging to this cast and the artists, our designers.

Within my next post, I will write about the many, many beautiful folks who have helped pave they way, deeper inside the core of this project, across America... from Baltimore, New York, Boston, Chicago, New Mexico, to L.A. That will be my next post... THAT journey!!!

But for now... This is about giving it a name... and I will ask you to please, in this time, in this place, help me honor the artists who are living inside this production of ANGELS IN AMERICA. It is with absolute pride I work beside each of them. What a privilege and honor. A gift.

Monday, April 05, 2010

Angels Designer Run Pictures

In case you've been busy decorating and hiding eggs, avoiding bread-products, or just enjoying the Spring that has sprung for the last week and forgot, the Student Arts Collective will be staging a production of Tony Kushner'sAngels in America April 29th through May 16th (Shameless plug: Tickets available through our website, here).

Last week, the cast completed their first full run-through of the show for the designers (set, lights, props, costumes, etc.), called a Designer Run. Hmm, imagine that. We'll have a special note from the Director and a cast member blog to tell you more about how the Designer Run works and how it went later this week. In the meantime, I think you'll be pleased to know that our wonderful stage manager Erin Drum snapped some photos during the run, and we wanted to share them with you, our blog-friends.

So please, check them out, and let us know what you think in the comments below!

(Unless you are viewing these pictures in Hebrew, captions are left to right.)


Ben Tschirgi as Prior Walter

Matt Winer as Louis Ironson, Daniel Johnston as Joe Pitt

Matt Winer, Daniel Johnston

Sarah Brodine as Ethel Rosenberg

Gareth Kelly as Roy Cohn, Daniel Johnston

Matt Winer, Timoth David Copney as Belize

Timoth David Copney

John Sisson as Prior 2, Ben Tschirgi, Becca Ballinger as Prior 1

Ben Tschirgi, Becca Ballinger, John Sisson

Becca Ballinger

Becca Ballinger, Ben Tschirgi
Lindsay Hall as Hannah Pitt, Sarah Brodine as Sister Ella Chapter

Daniel Johnston, Katie Tyler as Harper Pitt

Timoth David Copney, Ben Tschirgi

Gareth Kelly, Daniel Johnston

Ashanti Cooper as Nurse Emily

Katie Tyler, Daniel Johnston

Ben Tschirgi, Matt Winer

Gareth Kelly, Lindsay Hall as Dr. Henry

Gareth Kelly, Lindsay Hall

Katie Tyler

Ben Tschirgi, Matt Winer

Ben Tschirgi, Matt Winer

Ben Tschirgi, Matt Winer

Ben Tschirgi, Katie Tyler

Ben Tschirgi, Katie Tyler

Ben Tschirgi, Katie Tyler

Katie Tyler, Daniel Johnston

Katie Tyler, Daniel Johnston

Katie Tyler, Daniel Johnston

Becca Ballinger as Mr. Lies, Katie Tyler
Katie Tyler

Daniel Johnston, Gareth Kelly

Ashanti Cooper as Rabbi Isidor Chemelwitz